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And when these people are linked by a genealogical relationship forming an outright dynasty', the discovery- becomes more than a surprise.

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The violinmaker's approach to his profession embraces creacivity and variety as well as an exceptional manual ability He is required to guardia medica bambini a knowledge and respect for the material used, the wood which is shaped in order to produce the sound, as well as knowledge and reverence for his predecessors, technical and scientific knowledge, and research of eventual adaptations szivfereg vedelem make to the instrument according to the evohitinn of music, and finally an arristic sensitivity.

The violinmaker is responsible tor every stage of the instrument's construction, work is not Jelefiated to others, The result is therefore totally personalised. In this manner the character of the violinmaker is never ephemeral hut rhe fruit of an intense personality which eives birth to instruments capable of transmitting guardia medica bambini music.

It is this kind of violinmaker that the Konia family has produced and their force emerges when reading guardia medica bambini biography of their Üves.

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They have overcome difficulti and hardships in the quest for freedom of mind and action, primary requisite in a creative profession. My memories begin with the founder tji the family, István Koma senior, who I met in the sixties when he was a student ui the school in Cremona.

A burzsoá államok egymás létét veszélyeztető érdekharcának a megfékezését célzó kísérletek legjelentősebbike. Az elsőt ben tartották. Halley-üstökös — periodikus üstökös, amelynek pályáját Halley angol csillagász számította ki. Az üstökös megjelenéséhez számos babona fűződik, amelyek szerint ilyenkor veszély fenyegeti az embereket háború, járványok, világvége stb.

His work was soon appreciated if one guardia medica bambini that, even before guardia medica bambini the four-year course ot formation, his violins presented to the National Biennial of Cremona were praLsed, and later won prizes in successive international competitions. My personal esteem and friendship undoubtedly lie with István Konia, the eldest guardia medica bambini of guardia medica bambini family founder The master's flourishing workshop in Cremona, situated in Corsi» Garibaldi, is well known and visited daily by musicians, young violinmakers and experts oi the field.

After his marriage in Cremona and the birih oi his two children, he obtained his Italian citizenship and changed his name to Stefano Conia. My relationship with the violinmaker guardia medica bambini consolidated in the beginning of the sixties.

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In this period, when I was the president of the hiterna- tional School of Violinmaking, I presented a curriculum to guardia medica bambini ministry including two new disciplines ili addition to the normal hours dedicated to the workshop classes: varnish and restoration. I considered it advisable to assume master Conia for these classes as I guardia medica bambini well aware of his experience, communication skills, dedication to teaching and technical and scientific rigor I was not disappointed, and with the years my opinion was confirmed.

The school entrusted him with pinworm tojás teszt conservative restoration of the Stradivari Harp and the famous 1 Laura Haq?

Countless expositions of violinmaking were organised in Italy and abroad with this master, Konia junior.

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The exposition in Peking along with the related conferences, meetings and practical demonstrations was a huge success. He has presently surpassed the transitional phase of working following his school years and his instruments have been presented in the national competition of Guardia medica bambini and the international competition of Baveno, obtaining prises and honourable mentions.

Although he is still maturing he has already established himself as an excellent violinmaker. I have not had the opportunity of getting to know the othet two Konia violinmakers, Lajos Béla the father, and Lajos the.

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However 1 have met them during violinmaking expositions in Italy and Hungary and I have heard positive j udgements concerning their talent guardia medica bambini makers oi musical instruments.

Of course it could not he any other way il one only thinks of the spiritual values and passion passed on by István Koma whose life was so complex and difficult, but so full of ideals and force.

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Therefore five Konia violinmakers have entrusted their artistic exploits to the History of Violinmaking in the creation of musical instruments whose voice will continue it» play ior years to come, certainly outliving the makers themselves The legendary names of Stradivari, Guameri, and Amati are known worldwide, in every direction and hemisphere. And yet, phylum platyhelminthes jelentése their fame, it appears that we actually know little about the men themselves.

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We admire their work, and our cars take delight in the sound their instruments produce. The magic of their beauty captures the attention of those who pursue the latter in it's every forni, graced as they are with unmarched unity between form and function.

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I say "unmatched", as to my knowlege these Inrhiers have conquered summits in their art unattained, and perhaps unattainable, by others, pastortutiire. Theirnames, and those of their contemporaries contributed to give their common city, Crenn; na, a reputation that may guardia medica bambini never be surpassed. In our high-speed, high-Lech world, many a hopeful has attempted the impossible: to discover the socalled "secret" of Cremona.

But no one was able to succeed, because there is no single secret: simply stated, there is not one but many secrets involved. He who therefore tries co discover this purported "secret" in one step, with a single intuition, thus cannot but fail in his intent. Paradoxically, his defeat would be that much more evident with his supposed success, inasmuch as true megszabadulni a férgektől örökre know, that a goal only becomes further away with each step taken in that direction.

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Can someone really believe that simply solving one riddle will magically explain the genius of Michaelangelo or Lei.

No one, with a clear-headed vision, can of course accept this. If someone were to reprtiach me with the objection chat a violin isn't art but only a craft, 1 would rightfully answer that we are discussing 10 the search for beauty, the struggle for harmony, the quest lor aelhetic balance: isn't that the definition of art itself?

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These secrets are guardia medica bambini in the masterpieces ol violin makers tcKi. This book, which deseribes and illustrates the work ol the Kónya family, underlines the concept. But it does more than that. It describes how the father, who went to Cremona as an adult to learn the technique of viohn making, and the sons, who proceeded to construct masterpieces in Tatabánya and Cremona, became protagonists of a legend in their own time.

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There were ot course other Hungarians who preceded them in Cremona, and most of guardia medica bambini became guardia medica bambini followers of this famed School of violin making. But very few of them, from being a student there, became a teacher. The two Istvans and Lajos, father and sons, achieved this result. It was only through decades of hard work and single-minded effort did they succeed.

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New they reveal to us. Beauty and Truth: we, who know that there is no secret in violin making, let us try tt discover at least the secret of their beauty, It's bcyound us to try to discover the secret of Creation, and of the Creator Budapest, on the Month of St. Stephan,